Contemporary Music Review vol.37, n° 1-2, February-April 201
Electroacoustic Music in East Asia
Edited by Marc Battier and Kenneth Fields
Contents
Introduction
Marc Battier and Kenneth Fields
Articles
Twenty Years of Japanese Electroacoustic Music: Trends in 1990s and JSEM
Mikako Mizuno
Sneezing Toward the Sun: The Human Voice in the Musique concrète of Toru Takemitsu
Toshie Kakinuma
The Creative Quest into Temple Bell Sonorities: Works of Musique Concrète by Toshiro Mayuzumi
Yoshihiko Shimizu
Japanese Electroacoustic and Japanese Instruments
Hiromi Ishii
Electroacoustic Music Linked with Information Processing Research in Japan
Naotoshi Osaka
Mayuzumi’s Electronic Studies
Cathy L. Cox
The Principles of Electronic Music (1956)
Toshiro Mayuzumi (translated by Cathy L. Cox)
Electronic Music 7 Variations (1957)
Toshiro Mayuzumi (translated by Cathy L. Cox)
The Power of Arterial Language in Constructing a Musical Vocabulary of One’s Own: Inheriting the Inspiration and Gene of Innovation in Electroacoustic Music from Chinese Culture
Xiaofu Zhang
Characteristics of Early Electronic Music Composition in China’s Mainland
Qiuxiao Li
Exploration and Innovation, the Chinese Model of the Musicacoustica-Beijing Festival
Hefei Wang
Taiwanese Women Composers of Mixed Music with Their Cultural Heritage
Lin-Ni Liao
Excavating the History of Electroacoustic Music in Korea, 1966– 2016
Hee Seng Kye and Jongwoo Yim