Introduction
Marc Battier and Kenneth Fields
1. Twenty Years of Japanese Electroacoustic Music: Trends in 1990s and JSEM
Mikako Mizuno
2. Sneezing Toward the Sun: The Human Voice in the Musique concrète of Toru Takemitsu
Toshie Kakinuma
3. The Creative Quest into Temple Bell Sonorities: Works of Musique Concrète by Toshiro Mayuzumi
Yoshihiko Shimizu
4. Japanese Electroacoustic and Japanese Instruments
Hiromi Ishii
5. Electroacoustic Music Linked with Information Processing Research in Japan
Naotoshi Osaka
6. Mayuzumi’s Electronic Studies
Cathy L. Cox
7. The Principles of Electronic Music (1956)
Toshiro Mayuzumi (translated by Cathy L. Cox)
8. Electronic Music 7 Variations (1957)
Toshiro Mayuzumi (translated by Cathy L. Cox)
9. The Power of Arterial Language in Constructing a Musical Vocabulary of One’s Own: Inheriting the Inspiration and Gene of Innovation in Electroacoustic Music from Chinese Culture
Xiaofu Zhang
10. Characteristics of Early Electronic Music Composition in China’s Mainland
Qiuxiao Li
11. Exploration and Innovation, the Chinese Model of the Musicacoustica-Beijing Festival
Hefei Wang
12. Taiwanese Women Composers of Mixed Music with Their Cultural Heritage
Lin-Ni Liao
13. Excavating the History of Electroacoustic Music in Korea, 1966–2016
Hee Seng Kye and Jongwoo Yim